Digital Taylorism: labour between passion & serendipity
Attack of the Big Yawn
In his fascinating historical study of the rise of happiness to the highly valued commodity it has become in our time, the British sociologist William Davies offers a brief yet intriguing meditation on the end of capitalism. In the past, he says, the collapse of our current mode of production has usually been imagined to occur as the result of economic crisis, political revolution, ecological disaster, or, in the best of cases, through technological innovation. However, since the end of the cold war, Davies muses, there seems to be another, “more lacklustre” option on the horizon:
What if the greatest threat to capitalism, at least in the liberal West, is simply lack of enthusiasm and activity? What if, rather than inciting violence or explicit refusal, contemporary capitalism is simply met with a yawn? Continue reading Read an excerpt from Seb Olma’s new book on the great digital swindle
Sci-fi has a pedigree of exploring contemporary issues through the engaging gauze of societies and contexts far removed from painful familiarity. Inequality is explicated through different life forms, nuclear anxiety masquerades as fears of interstellar warfare, loneliness through the guise of artificial intelligence or the pseudo-modernist anonymity of slipping through dense and chaotic metropolises…in each case, sci-fi often trumps its stuffy literary or languorous cinematic ‘betters’; it speaks to us in a clear voice and cuts closer to the bone. A good example of this is the downright Dostoevskian Battlestar Galactica (2004). Battlestar Galactica mirrored post-9/11 paranoia on a multitude of levels. Cylons explored the anxieties and devastating potentials of terrorist ‘sleeper-cells’ – perhaps most obviously the prospect, and fall-out, of suicide bombings. The erosion of civil liberties was the knee-jerk Band-Aid on earth and the Battlestar Galactica fleet. The series was even replete with sham trials (Baltar’s Karamzovian trial) and a prisoner-torture controversy. Resource management, paranoia and the warring of theisms also provided the background to empathetic depictions of beings, whatever they may be. Other than that, the show was just spaceships and aliens.
Westworld fits right into such a lineage. Do not mistake Westworld to be about consciousness, AI agency or sentience. Others can reference Metzinger, Dennet Continue reading “We live in loops as tight and as closed as the hosts do”—Tristam Vivian Adams on Westworld