Guest post by David Stubbs. His next book, 1996 and the End of History, will be published by Repeater in 2016.
The first time I didn’t meet David Bowie was at a junior school village hall disco at Barwick-in-Elmet, the small village near Leeds, in which I grew up. This would have been in 1973, I guess. The polish of the parquet tiled floor lingers palpably in my distant memory, as do the sea of flapping corduroy flares and stomping pop sounds of the stereo system they’d wheeled into the hall. Chief among them was “The Jean Genie”. Pop meant everything to me then; I kept an exercise book in which I would list in different felt tip pen the Top 20 singles charts rundown each Sunday. If an entry had gone up in the charts, it was listed in green, if it had gone down, red; if it had held its position to me, grey. I felt distinctly the schism in the charts. There was the stony rubbish, the mouldering crooners who still held sway into the charts appealing to an audience some of whose tastes had formed in the Edwardian age. Oh, and there were The Osmonds and David Cassidy but they were for girls and therefore beneath contempt.
When future historians come to make sense of our peculiarly disappointed moment (and good luck to them), some will no doubt wonder where the anger was. Every decade of the 20th century had its Marx-quoting middle classes and placard-bearers hailing the imminent end of capitalism. But recent political events have outstripped the imaginations of even the most jaded pessimists. In five years’ time there may be no effective welfare system or health and social care service to speak of. Austerity is re-elected, the prime minister inserts his penis into a dead pig and retains credibility, and the leader of the opposition is called a terrorist sympathiser for opposing another ill-thought out military disaster. Strange times.
There is a prevailing sense of paralysis and defeat all across ex-industrial Britain. And this particularly effects the young, who have not known anything else. So, what is their story?
Darkstar have set out to capture something of it in their third album, Foam Island (Warp records). Washed-out, woozy and subtly groovy, it’s electronica that pulses, bleeps and sighs over twelve tracks. There is a consistency of rhythm that connotes animation and motion, a light-touch percussion of peaceful getting-by over bleeding-heart dramatics. Most interesting of all, sampled into many of the songs are the voices of young people from Huddersfield, who the Darkstar duo interviewed over the summer of 2015, around the time of the general election. James Young and Aiden Whalley present here their findings, the hopes and desires of young people in one small town, as they endure and find spaces of pleasure and communal belonging.
On September 13th 2015 at a packed TUC fringe event at the Brighton Corn Exchange, ex-Greek Finance Minister Yanis Varoufakis delivered a stirring speech on how the Syriza government had been undermined by the EU’s financial institutions and what this portended for a future Labour government led by Jeremy Corbyn. At its close he finished with one last warning to the British left, born from his own experience in office, – “The enemy is always within. The enemy is always the Ramsay MacDonalds”.
Following the election of Jeremy Corbyn no-one would claim Labour is now led by a second Ramsay MacDonald (a role already perfectly filled by Neil Kinnock, who managed to betray his class and his party without even getting elected first). But although Corbyn’s mandate for a real socialist alternative is undeniable and impressive the Labour Party machine and most of its MPs remain unreformed. Too many local Labour parties – like my own in Brighton – are led by midget-Blairs whose response to the election of Corbyn and the subsequent inrush of enthusiastic new members is fear and distrust. Their strategy for the next four years will be to ignore, suppress and defuse their own members who wish to turn the party into a radical anti-austerity opposition. Nor are the unions Corbyn’s automatic allies. One need only see the grotesque Sir Paul Kenny, General Secretary of the GMB, who after accepting his “honour” from the Tories for selling out public sector pensions condemned Corbyn’s stance on Trident as a threat to the “defence of the realm”. Continue reading Always the Ramsay MacDonalds: lessons from 1931 for Labour today
‘From the early records of Greek and Latin slang, where [words for pig] were used to describe the female genitalia through to modern uses of ‘pig’ to mock the police, the fascist and the male chauvinist, pigs seems to have borne the brunt of our rage, fear, affection and desire for the ‘low’. [But] it was precisely the ambivalence of the pig, at the intersection of a number of symbolic thresholds, which had traditionally made it a useful animal to think with.’ – Peter Stallybrass and Allon White, The Politics and Poetics of Transgression
As I said earlier, it is hard not to enjoy the ridiculing of Cameron. But if we take a step back, it should be clear that an atmosphere of sexual humiliation is one that favours current forms of power rather than dismantles them. Robin James points out the role of hazing in sexual abuse, and in some ways we can consider the whole range of ways in which the English haute-bourgeoisie initiate children into its ranks as a form of abuse. This is one of the points I was trying to get across in my piece on humour in the latest New Humanist (below). Boarding school and the top end of Oxbridge are environments designed to produce the very hardening and insensitivity which allows Tories to dehumanise and demonise the poor. Class wounds everyone, especially the ‘privileged’.
This is the edited text of a talk given by Alex Niven at the NewBridge Project, Newcastle-upon-Tyne last week.
I’d like to start with a quotation from Dubliners, James Joyce’s first work of fiction, published almost exactly a hundred years ago. It was written largely in the Edwardian period, in the last days of British colonial rule over Ireland; that is, on the eve of the Irish Revolution:
That night the city wore the mask of a capital
Dubliners is a collection of realist—some might say magic realist—stories about residents of Dublin in which almost all of the characters feel disillusioned or constricted in some way; paralysis is a word that echoes throughout the book. But Dubliners isn’t, in the end, a pessimistic work. Even though the characters in Joyce’s stories are paralysed on the one hand, there is also a sense that something is about to happen, a sense that Dublin is about to break free and come into its own. Within five years of the publication of Joyce’s book, Dublin was indeed the capital of a newly independent nation. And, a century later, it still is.
This is not to say that capitals and nations don’t bring with them their own kinds of problems and responsibilities and limitations. But I think something in the music of that quotation does help to emphasise the fact that radical change in the
circumstances of a city, a country, the world, can happen very quickly. Revolutions are possible. Political campaigns are not futile. Big collective projects can succeed. At certain moments in our history, we are able to take significant steps towards the creation of the ideal city, channelling utopian ideals, even if utopia is by definition unrealisable. Continue reading A rupture in the ground – Alex Niven on Corbyn & the ideal city
Dissent is and always has been entwined with media depictions of it, whether it wants to be or not, and whether that coverage is beneficial or not. The traditional assumption is often that it is, however; as Thatcher famously announced: “We must try to find ways to starve the terrorist and the hijacker of the oxygen of publicity on which they depend.” Thatcher’s government used censorship against the threat of the Provisional IRA in the 1980s, as well as the ANC, who were at the time branded ‘terrorists’ also (and Nelson Mandela in particular). The voices of Irish Republicans were dubbed with the voices of anonymous actors, in a bizarre and at times comic form of censorship, which bore more resemblance to a Monty Python sketch than anything else. The British press, meanwhile, whenever it did mention the IRA, did so with dehumanising and insulting language, comparing Irish revolutionaries (the IRA of the 1920s as well as post-1960s) and the Irish more generally to chimps, Frankenstein, crazy drunks, pigs, a vampire, an inferno, Jekyll and Hyde, and various images of idiocy and barbarianism. Continue reading Oxygen for Terrorists
This is an edited extract from JD Taylor‘s forthcoming book, Island Story: Journeying Through Unfamiliar Britain
Morning on the Acklam Garden City Estate, Middlesbrough, surrounded by cheery red-brick terraces, patriotic flags and, a little beyond, row after row of boarded-up houses, many habitable.
By the local estate parade, where I’d been warned of ‘dodgy people’ who might despoil a traveller of their possessions, Gary’s out with his young son. ‘Yer fucken mad, you are’, he says, laughing at my alibi for asking. He flicks his head up proudly. ‘It’s marvellous. Some bits are good round ere, some bits are bad, like everywhere’. His mum and sister live round the corner. It’s a community, he presses. Like Jan, surrounded by her sisters in the nearby streets, in spite of Middlesbrough’s decline it’s still kept together families and communities, and this is what people love about it, something impossible in most growing English towns.
But how does one live? Within the 19th century, Middlesbrough exploded from a dozy hamlet to an ‘infant Hercules’ town of a hundred thousand, producing ships, metals and chemicals. Its Teesside docks and port were live-wired into global trade. But all this was another history lesson, and the last of those industries, ICI’s chemical works at Wilton and Billingham, had been wiped out in the 90s, with a rump of smaller firms operating in its place. Middlesbrough’s population has been plummeting, but there was no serious discussion about a responsible shrinking or ungrowing. Instead there were more retail parks, malls and call-centres promised, and receding memories of a future that had failed to arrive. Continue reading Ex-industrial – JD Taylor