The voices disrupting white supremacy through sound – Adam Harper at The Fader

Excellent and important piece by Adam Harper at the Fader putting some of the most exciting artists currently making music into political context: 

It’s no wonder that African and Afrodiasporic artists are choosing to disseminate music in solidarity. In many cases, this creative decision is a strategy for dealing with the alienation that is so often a part of Afrodiasporic experience. As the London-based writer Kodwo Eshun puts it in his 2003 essay Further Considerations on Afrofuturism: “the condition of alienation, understood in its most general sense, is a psychosocial inevitability that all Afrodiasporic art uses to its own advantage by creating contexts that encourage a process of disalienation.” And yet in the continuing environment of white supremacy, this creativity is routinely either erased, appropriated, or confined to narrow and fetishized aesthetic areas. The music in this article—which is all linked by the multifarious connective tissues of underground culture (labels, releases, mixes, remixes, songs etc)—is not necessarily of the same belief or aesthetic, but can all be seen as resisting the supremacist paradigm in its many different ways and contexts. Often, it can be seen as exploring the way in which race intersects with gender, sexuality and/or queerness too.

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Music, Curationism and the End of the Avant-Garde event – audio

We co-hosted an event with Pluto Press – Music, Curationism and the End of the Avant-Garde – at Brilliant Corners on 2nd May 2015. Audio is now available to stream via NTS Radio on their Mixcloud

curationism talkThe event marked the launch of David Balzer’s excellent new book, Curationism. The other participants were: Frances Morgan, deputy editor of The Wire; artist, writer and academic Salomé Voegelin; and music critic and musicologist Adam Harper.

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