This is the edited text of a talk given by Alex Niven at the NewBridge Project, Newcastle-upon-Tyne last week.
I’d like to start with a quotation from Dubliners, James Joyce’s first work of fiction, published almost exactly a hundred years ago. It was written largely in the Edwardian period, in the last days of British colonial rule over Ireland; that is, on the eve of the Irish Revolution:
That night the city wore the mask of a capital
Dubliners is a collection of realist—some might say magic realist—stories about residents of Dublin in which almost all of the characters feel disillusioned or constricted in some way; paralysis is a word that echoes throughout the book. But Dubliners isn’t, in the end, a pessimistic work. Even though the characters in Joyce’s stories are paralysed on the one hand, there is also a sense that something is about to happen, a sense that Dublin is about to break free and come into its own. Within five years of the publication of Joyce’s book, Dublin was indeed the capital of a newly independent nation. And, a century later, it still is.
This is not to say that capitals and nations don’t bring with them their own kinds of problems and responsibilities and limitations. But I think something in the music of that quotation does help to emphasise the fact that radical change in the
circumstances of a city, a country, the world, can happen very quickly. Revolutions are possible. Political campaigns are not futile. Big collective projects can succeed. At certain moments in our history, we are able to take significant steps towards the creation of the ideal city, channelling utopian ideals, even if utopia is by definition unrealisable. Continue reading A rupture in the ground – Alex Niven on Corbyn & the ideal city