Show them where you’re from: a trip round Darkstar’s Foam Island

Guest post by JD Taylor

When future historians come to make sense of our peculiarly disappointed moment (and good luck to them), some will no doubt wonder where the anger was. Every decade of the 20th century had its Marx-quoting middle classes and placard-bearers hailing the imminent end of capitalism. But recent political events have outstripped the imaginations of even the most jaded pessimists. In five years’ time there may be no effective welfare system or health and social care service to speak of. Austerity is re-elected, the prime minister inserts his penis into a dead pig and retains credibility, and the leader of the opposition is called a terrorist sympathiser for opposing another ill-thought out military disaster. Strange times.

There is a prevailing sense of paralysis and defeat all across ex-industrial Britain. And this particularly effects the young, who have not known anything else. So, what is their story?

Darkstar have set out to capture something of it in their third album, Foam Island (Warp records). Washed-out, woozy and subtly groovy, it’s electronica that pulses, bleeps and sighs over twelve tracks. There is a consistency of rhythm that connotes animation and motion, a light-touch percussion of peaceful getting-by over bleeding-heart dramatics. Most interesting of all, sampled into many of the songs are the voices of young people from Huddersfield, who the Darkstar duo interviewed over the summer of 2015, around the time of the general election. James Young and Aiden Whalley present here their findings, the hopes and desires of young people in one small town, as they endure and find spaces of pleasure and communal belonging.

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