Listen to Jam City's NTS mix [mixcloud https://www.mixcloud.com/NTSRadio/jam-city-1st-june-2015/ width=660 height=208 hide_cover=1 hide_tracklist=1] I have zero time for the common refrain of middle-aged music journalists, "why is there no political music nowadays?". It's a question that's lazy at best and disingenuous at
We co-hosted an event with Pluto Press - Music, Curationism and the End of the Avant-Garde - at Brilliant Corners on 2nd May 2015. Audio is now available to stream via NTS Radio on their Mixcloud The event marked the launch
A new mix and a new tumblr, Base Consciousness from kpunk/Mark Fisher. Quick mix to explore some of the moods in the wake of the election defeat: initial shock then renewed militancy and sense of purpose
The Austin Psych Fest was last weekend, but in the UK we were fully focused on the elections and associated depression/stoicism/recriminations/reinvigoration (delete as appropriate). So in belated celebration of the festival and the 13th Floor Elevators 50th anniversary reunion show
As a big fan of both Bowie and Chris O’Leary, it was as hard to select an extract from Rebel Rebel as it is to choose a favourite Bowie song; each song is covered in a self-contained entry, and they’re all fascinating.In the end I chose a series of 3 posts which make chronological/conceptual sense, and shed entertaining light on Bowie’s complicated relationship with late ‘60s hippy culture. Also contains The Prettiest Star, which is far from his best track but which, for sentimental reasons, remains one of my all-time favourites.
Rebel Rebel (Zer0, 2015) is out on March 27th, there’s a list of stockists here.Cygnet Committee [youtube https://www.youtube.com/watch?v=OKMSgZo9c8s&w=420&h=315] Recorded: (demo, “Lover to the Dawn,” unreleased) ca. mid-April 1969, 24 Foxgrove Road. Bowie: 12-string acoustic guitar, harmony vocal; Hutchinson: lead vocal, acoustic guitar; (album) ca. late August-early September 1969, Trident. Bowie: lead vocal; Christmas: 12-string acoustic guitar; Wayne: lead guitar; Renwick: rhythm guitar; Wakeman: electric harpsichord; Lodge: bass; Cambridge: drums. Produced: Visconti; engineered: Sheffield, Scott or Toft. First release: 14 November 1969, Space Oddity. Broadcast: 5 February 1970, The Sunday Show. Live: 1969-70. “Cygnet Committee” was, consecutively, a break-up letter to a communal arts center Bowie co-founded, a scattershot attack on the counterculture and a desperate self-affirmation. Deep in this gnomic, nearly ten-minute screed was a struggle to find a workable design for the years ahead, Bowie pledging himself to a life of creative destruction while keeping clear of professional revolutionaries. It was the sound of Bowie willing himself to become a stronger artist, hollowing himself out to let a greater creative force, for good or ill, take hold in him. The possession took. In fleeting moments, you can hear the apocalyptic, utopian voice of “Five Years” and “Sweet Thing,” of “Station to Station” and “‘Heroes.’” The man who was able to write those songs had to go through the crucible of “Cygnet Committee” first.
Extract from Phil Knight's brilliant new book, Strangled: Identity, Status, Structure and The Stranglers, out now, investigating "the greatest punk band", their overlooked mysticism, and their erasure from punk's history. *** Picture for a moment a world in which the most significant
This is an edited extract from the forthcoming F.M.R.L: Footnotes, Mirages, Refrains + Leftovers of Writing Sound, by Daniela Cascella (author of the blog/book En Abime) - "Ephemeral. F.M.R.L. (frenzy-madness-reverie-love), a fame really, ever merrily, Effie marry Lee: there are words that
Among other things, including presenting a radio show (The Mystery Lesson) Daniel Spicer will be doing a book on Turkish Psychedelia for Repeater. This is his review of the Ambient House: The Compilation by DFC. — P.J. How often does a compilation