Guest post by David Stubbs. His next book, 1996 and the End of History, will be published by Repeater in 2016.
The first time I didn’t meet David Bowie was at a junior school village hall disco at Barwick-in-Elmet, the small village near Leeds, in which I grew up. This would have been in 1973, I guess. The polish of the parquet tiled floor lingers palpably in my distant memory, as do the sea of flapping corduroy flares and stomping pop sounds of the stereo system they’d wheeled into the hall. Chief among them was “The Jean Genie”. Pop meant everything to me then; I kept an exercise book in which I would list in different felt tip pen the Top 20 singles charts rundown each Sunday. If an entry had gone up in the charts, it was listed in green, if it had gone down, red; if it had held its position to me, grey. I felt distinctly the schism in the charts. There was the stony rubbish, the mouldering crooners who still held sway into the charts appealing to an audience some of whose tastes had formed in the Edwardian age. Oh, and there were The Osmonds and David Cassidy but they were for girls and therefore beneath contempt.
Continue reading A neo-Isherwood – David Stubbs on Bowie, Englishness and masculinity
2015 is looking like a pretty good year for Christmas music – there have been some good new xmas songs, Stormzy’s Shut Up might be xmas number 1, and no-one has released a cover of Fairytale of New York. So we’re pleased to present the Repeater Christmas playlist containing some brand new festive bangers, some old classics and not one but five versions of the best xmas song of all time, All I Want For Christmas (FONY is no. 2, don’t @ us). First of all, though, an exclusive and very christmassy track from our friends Petwo Evans (check out their Electronic Explorations mix)
Xmas in Ynysmeudwy – Petwo Evans (exclusive)
Here’s a couple of great brand new 2015 xmas tracks by RP Boo & Fetty Wap:
Continue reading ?REPEATER PLAYLIST #5 – XMAS SPECIAL?
As a big fan of both Bowie and Chris O’Leary, it was as hard to select an extract from Rebel Rebel as it is to choose a favourite Bowie song; each song is covered in a self-contained entry, and they’re all fascinating.
In the end I chose a series of 3 posts which make chronological/conceptual sense, and shed entertaining light on Bowie’s complicated relationship with late ‘60s hippy culture. Also contains The Prettiest Star, which is far from his best track but which, for sentimental reasons, remains one of my all-time favourites.
Rebel Rebel (Zer0, 2015) is out on March 27th, there’s a list of stockists here – TS
Recorded: (demo, “Lover to the Dawn,” unreleased) ca. mid-April 1969, 24 Foxgrove Road. Bowie: 12-string acoustic guitar, harmony vocal; Hutchinson: lead vocal, acoustic guitar; (album) ca. late August-early September 1969, Trident. Bowie: lead vocal; Christmas: 12-string acoustic guitar; Wayne: lead guitar; Renwick: rhythm guitar; Wakeman: electric harpsichord; Lodge: bass; Cambridge: drums. Produced: Visconti; engineered: Sheffield, Scott or Toft.
First release: 14 November 1969, Space Oddity. Broadcast: 5 February 1970, The Sunday Show. Live: 1969-70.
“Cygnet Committee” was, consecutively, a break-up letter to a communal arts center Bowie co-founded, a scattershot attack on the counterculture and a desperate self-affirmation. Deep in this gnomic, nearly ten-minute screed was a struggle to find a workable design for the years ahead, Bowie pledging himself to a life of creative destruction while keeping clear of professional revolutionaries. It was the sound of Bowie willing himself to become a stronger artist, hollowing himself out to let a greater creative force, for good or ill, take hold in him. The possession took. In fleeting moments, you can hear the apocalyptic, utopian voice of “Five Years” and “Sweet Thing,” of “Station to Station” and “‘Heroes.’” The man who was able to write those songs had to go through the crucible of “Cygnet Committee” first. Continue reading Materialistic arseholes and suburban dreamers: Bowie and the 1960s—Chris O’Leary