Haunted houses, bitter revenants and muffled heartbeats under floorboards — the American gothic is a macabre tale based on a true story.

Part memoir and part cultural critique, Darkly reveals the heart of America’s darkness in the specters left from chattel slavery and the persistence of white supremacy. Locating the gothic in technologies of terror, the insurgency of melancholy, and the guilty conscience of a country that got away with murder, Darkly shows how this trauma has been metabolized into art, music, film, and literature.

America’s story is founded in horror, with a culture shaped from the Black experience, proving that you can’t get more goth than Black.

Praise for Darkly:

“Does so much beautiful work to widen the expectations and understandings of blackness.” — Hanif Abdurraqib, author of Go Ahead in the Rain: Notes to a Tribe Called Quest and They Can’t Kill Us Until They Kill Us

“Powerful and strange, uncanny and unforgettable.” — Colin Dickey, author of Ghostland

“Takes us on a path that connects the Middle Ages, Edgar Allen Poe, the Trans-Atlantic slave trade, Afropunk, Prince, Black Lives Matter, and Hot Topic. It’s an incredible journey…” — Baratunde Thurston

“Fascinating. A revelatory exploration of blackness, goth culture and the ramifications of inherited trauma.” —Irenosen Okojie